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On June 12th, 2000, a man boarded a bus in Rio de Janeiro with the arrangement of robbing its passengers. When the robbery turned sour, Sandro, the perpetrator, turned the driver and the passengers into hostages, threatening to extinguish them one by one if his demands weren’t met. Carried live on Brazilian television, the event garnered national attention as the tense standoff between Sandro and the police played itself out. “Bus 174,” a riveting documentary by Jose Padilha and Felipe Lacerda, is an fable of that event.
Not converse to merely rehash the details of that day’s experience, the filmmakers employ their film as an opportunity to inquire of many of the social ills that laid the groundwork for the tragedy in the first residence. The harshest criticism is reserved for the Brazilian government and the Brazilian people who seek the other arrangement when it comes to the hundreds of homeless children living on the crowded streets of Rio de Janeiro. Sandro was himself such a child, having witnessed the assassinate of his mother at a young age then turning to street life and street crime as his only means of survival. We learn that not only is the jam of such people routinely ignored by the large majority of Rio’s residents, but that both citizens and government officials have taken a proactive piece in harassing and, in some cases, even killing these children. Sandro is clearly a product of his environment, and his actions on that day largely extend from the lack of a societal connection he’s felt all his life. The directors also occupy swipes at an incompetent, horrible police force, a brutal, dehumanizing prison system, and a sensation-seeking, voyeuristic public who feeds on the unfolding live tragedy as if it were a Hollywood action movie or some kind of lurid scripted drama.
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Interwoven with footage from the valid incident are interviews with various participants in the drama, ranging from police officials to SWAT team members to surviving hostages to tortured prisoners to social workers to psychologists to friends and relatives of Sandro himself. Through these interviews, Padilha and Lacerda weave a tapestry of Brazilian society that spares no one and indicts us all in one blueprint or another. What is most impressive about “Bus 174″ is how our emotions collect all tied up in a knot, as we glean our loyalties shifting abet and forth between the various participants in the drama. At one moment we sympathize with Sandro and all the suffering he’s experienced, and the next with the innocent hostages who simply want to sprint this madman and return to their normal lives. At times, we obtain ourselves rooting for the befuddled cops, while at others, we are inclined to side with the downtrodden and glimpse the law enforcement officials as the fair villains of the portion.
The events that occurred on that day shook a nation, serving as a wakeup call for a society that has attempted to sweep its injustices and social ills under a blood-stained carpet. Yet, this isn’t a set new to Rio, by any means, for Sandro’s epic is representative of what happens in all major cities when poverty and misery are allowed to go unchecked and when indifference to suffering becomes the norm of the privileged classes. “Bus 174″ is more than unprejudiced a recounting of an isolated incident; it is a peruse into the sad heart of Man that we all ignore at our maintain pains.
A word of advice: if you are going to review, please DO NOT give away the ending…I’m blissful I read all these reviews after I saw the video…share of the film’s power is the suspense.
ANYway, I showed this video to my criminal justice class and we did a compare/contrast to the shootings at Columbine high school. Emotions in the class ranged from frustration to nettle to sadness and students left the room talking about it!
Although the film may be viewed as biased, there is no inquire to reality when one sees the interior of the jails and the treatment of the inmates, learns of the lack of training and sees it in the Rio PD, and observes the street kids as they huddle on cement in shabby blankets, sniff paint & glue from a plastic bottle, and don dilapidated clothing with American sports logos. It is gritty, it is suspenseful, it is sunless and eye-opeing and everything you would want in a documentary. The needless destroy of human beings, the surreal world outside of the US and inside of a Rio jail, and the videos of the streets where “Sergio” survived is in your face without being preachy or judgemental.
I highly recommend this video to other educators, and when you compare it to Columbine high school shootings, it brings it home with a observe at culture, law enforcement, government, etc.
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